charisma of stone;
rizz ash is the shade through which gray becomes an attitude, a deep, mineral tone inspired by the
dense stillness of natural materials
—
cool without being distant, imposing without being heavy.
the ceramic tiles offer a calm monumentality that subtly reflects light, gracefully holds shadow, and gives the building a memorable presence
—
gravity in its purest form.
time does not pass, it devours
it doesn’t stroll or whisper sweetly, it consumes quietly, efficiently, without hesitation, you don’t see it coming, you don’t hear the ticking when you’re lost in your habits, your distractions, your plans; but time is there, moving through you as much as you move through it taking without asking,
we call it passing time, but the truth is we are being passed through, and when we look up, something is missing: a season, a relationship, a version of ourselves we swore we’d return to.
when form and matter become memory
a dense, silent presence, stratified, geometric, seemingly shaped by the patience of another era, one in which time settled slowly over things, leaving visible traces,
memento speaks of time lived, with every volume, every edge, it preserves through shadow the imprint of that time; above all, is a contemporary relic, where the light falling across its surface deepens perception, the relief turns into rhythm and functionality becomes almost secondary to symbolism,
an object that marks time not by its passing, but by its ability to hold it still,
memento is what remains when everything else seems to pass,
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the form of time preserved
it is a gesture of slowing down, an exercise in presence, it is what remains, when everything else seems to pass.
