blue apple

an illusion that is not ashamed to be real

duality plays in this monochromatic spectacle, between illusion and reality, between plane and volume,the object sits as a fracture of perception; what we know is questioned by what we see

why not be blue?

why not be impossible?

an act of rebellion against the usual order, a monochromatic treatment, a delicious paradox, something simple that seems to become absurd, but through use this absurdity becomes necessary. the object is form, experience, it invites you to accept the fragility of reality, to laugh at conventions because sometimes reality is too serious.

biting blue apples is a choice, an exercise in freedom, a gesture against rigidity, because after all, some drink coffee as a drug, others as joy,

that's life, that's art; I'm like you and you're like me,

the world has enough red and green apples,

cortina 126

the choreography of temporal rhythm

a piece in which the curtain plays the leading role, holding the transformative power to turn our lives into a distinguished space, filled with a captivating atmosphere that shapes a unique perception of emotion.

the concept of “the choreography of temporal rhythm” defines phenomena laboratory’s philosophy across all projects developed under the cortina name; much like a choreographer who turns movement into expression, cortina’s architecture translates the passage of time into forms, rhythms, and spaces that adapt to social, technological, and cultural changes.

when opened, the curtain gracefully reveals the shape of future time, staging the rhythmic pattern of emotion as perceived through the essence of constructed elements; cortina is a threshold, a boundary, a transition a transformation and evolution toward excellence. it becomes both a window and a portal for communication with the future, where each of us is an actor in the theatre of time to come.

temporal rhythm acquires a new choreography: a distinguished space, an atmosphere, a perception of emotion a stage where the curtain performs the leading role, imbued with transformative power. once drawn, it gracefully covers the shape of the past and opens the doors to an exciting future, to a new beginning; the rhythmic pattern transforms, absorbing new elements and giving birth to an architecture that redefines the experience of living.

a place with a soul that is how we define our architecture; beyond materiality, cortina builds atmospheres and identities: spaces that convey emotion, preserve the connection with the site’s history, and nurture positive, inspirational energy; light and form become a continuous dance, where technical precision intertwines with imagination, and the community finds a vibrant, welcoming framework.

within cortina 126, the interplay of light and shadow alters the perception of proportion, offering a captivating visual experience, the project is defined by its balance of technical precision, aesthetic elegance, and emotion a true architectural landmark dedicated to contemporary urban living.

i’m obsessed with people

everything starts with a step, at that moment, the space changes,

the door is an architectural object that lives only because you live, it follows your movements, seeks your presence, and through contact you understand that "dancing about architecture" is an ongoing scenario,

for people there is no obsession without the geometry that they write through movement, in this sense, architecture is already dance; and dance begins from the need to say "I am here, next to you". each gesture triggers a response, where the shapes intertwine with each other, like dancers who touch for a second and then separate, between movements there are no walls to keep the world standing, there are only connections between people,

stability? an illusion, this is not found in the walls, but in the way in which people create together an invisible architecture of belonging, and the door becomes a landmark, an elastic symbol of home and cultural identity, and as the design expands in space, belonging is amplified.

the door becomes a dance partner, your gestures awaken it, and every movement creates living architecture,

the obsession with people becomes space, and this becomes architecture.